These sculptures made of paper, wire, and wood are powered by the wind. When placed before a light breeze, their pinwheels spin and power the sculptures’ cyclical movements. The bird will soar. The horseman will eternally charge forward, lance at the ready.
This series explores movement. Each sculpture physically and symbolically invokes the purity and lightness of moving elements.
Pinwheel is the simplest in this series. A light breeze spins a three-pronged pinwheel, which vibrates a wire. The following sculptures are variations on this mechanism.
In Ocean Voyage, the pinwheel gently rocks a sailing boat. Wind movement translates into wave movement.
Liberty explores the search for freedom. The pinwheel connects to a wire that flaps the dove’s white wings. Ironically, the dove flees from the source of its movement.
Similar to Liberty, Don Quixote’s Windmill explores the interplay between source and recipient of movement. The pinwheel powers the horse’s legs as it charges forward. Ironically, Don Quixote attacks the windmill that powers him.
In Cityscape two pinwheels power rows of zigzagging traffic. In this “snapshot” of urban life, movement is choreographed along mechanical lines. A black paper cutout contrasts the white sculpture, which is illuminated from beneath.
Time employs movement as a metaphor about life and death. A crank rotates a wheel and powers a walking skeleton. On the wheel, silhouettes of infant, child, worker, senior, cripple, and coffin symbolize the stages of life. While the skeleton depicts death, the wheel depicts continuity. In juxtaposition to the series, the human hand, not natural wind, moves the sculpture and completes the metaphor.