I created this 26 by 45-inch ink on paper panoramic drawing of the University of Michigan’s campus. The image required 300 hours of work 18 months. Prints can be ordered in various custom sizes.
Contact me to download source files or to order custom prints mailed to your home address. VIEW PUBLICATION >
Pedestrian Observations explores Manhattan’s Chinatown’s public and private spaces through a detailed panoramic drawing and map of contested land uses. This project was co-published by Myles Zhang with non-profit artist collective City as Living Lab and architect Stephen Fan. The printed folding map highlights the vibrant interactions among diverse community members, while emphasizing the need for better public space management. Inspired by urban theorists, the project seeks to foster conversation about economic development and resilient urban environments.
《行人观察》(Pedestrian Observations) 将详尽的全景绘画对照各种土地利用的地图，深入探讨曼哈顿华埠的公共与私人空间的使用。该项目由张之远 (Myles Zhang），建筑师樊一鸣 (Stephen Fan)， 和艺术家公益团体“城市实践工作室” (City as Living Lab) 联合出版。这份折叠地图描绘多元社区成员之间充满活力的互动，同时强调加强公共空间管理的必要性。本项目综合城市理论家的研究，提倡灵活变通的都市环境，从而促进经济发展。
As published by City as Living Lab as part of the University of Michigan’s grant-based program for public scholarship VIEW PUBLICATION >
The historic 1890s Warren Street School stood in Newark’s University Heights neighborhood and served a century of public school children. Despite its landmark status and eligibility for future inclusion on the National Register of Historic Places, Newark City Hall approved demolition on April Fool’s Day in 2021. This demolition highlights the New Jersey Institute of Technology’s calculated disregard for architectural heritage. The demolition act also symbolizes a broader trend of city leadership that is ignorant of history and the power of historic preservation to cultivate local identity. VIEW PUBLICATION >
The ink on paper detailed panorama of New York City took 800 hours to complete. The image measures 45 inches high by 79 inches wide (114 cm by 201 cm) and features every neighborhood and key landmark the length of Manhattan island. As my art project created during the pandemic, it serves as a personal keepsake and reflection of my rich memories of New York City.
Drawing is shared online in lower resolution. Email me for the full-size file. Custom size prints will be mailed to your home address on request. VIEW PUBLICATION >
In fall 2019, LinkNWK, the company that manages free wifi hotspots and advertising screens in downtown Newark, invited me to display my artwork on their kiosks. I selected several dozen of my artworks and images that document the demolition of historic neighborhoods and the demolition of community spaces. VIEW PUBLICATION >
As northbound Broadway dips down to the valley of 125th Street, the subway soars over the street. The subway viaduct is a jumble of steel slicing through the orthogonal city grid. The 125th Street viaduct is a massive arch, 250 feet from end to end, two hundred tons of mass channeled into four concrete pylons, resting on the solid bedrock of Manhattan schist. The subway is the intersection, where the underground and aboveground worlds of New York City converge. VIEW PUBLICATION >
As Newark celebrated the 350th anniversary of its 1666 founding, I created this series of time-lapse drawings based on historical images and maps. As Newark develops from a small town to a bustling and industrial metropolis, the sounds of my animation shift from quiet woodlands to the din of the vibrant city with rising skyscrapers. This two-minute film aims to represent history as a living, fluid process. VIEW PUBLICATION >
This time-lapse of Manhattan Chinatown took sixty hours to complete and measures 26 by 40 inches. The artwork features Chinatown’s tenements in the foreground, with Lower Manhattan’s skyscrapers towering above.
Drawing is shared online in lower resolution. Email me for the full-size file. Custom size prints will be mailed to your home address on request. VIEW PUBLICATION >
This project features a portfolio gallery of my drawings, watercolors, paintings, and photographs of Manhattan island. The portfolio is divided into ten “walks” over the chapter structure of ten “days.” Each “day” features some of my artwork about a different neighborhood of Manhattan: Chinatown, SoHo, East Village, West Village, the High Line, Madison Square, Midtown, Central Park, Riverside Drive, Morningside Heights, Harlem, and Washington Heights. VIEW PUBLICATION >
Murphy Varnish, built in 1886, is one of Newark’s oldest factories still standing. Its brick walls, terracotta ornament, and intricate brickwork reflect a time when industrial structures were more than just functional. Murphy Varnish reflects a time when industry was central to Newark’s wealth and key to its future success. It is a monument to industry, built to last. Recent renovation efforts promise to turn this derelict structure into a community of apartments. VIEW PUBLICATION >
I spent much of the past few years painting and photographing my changing city. This short film features a selection of my work, complemented by classical music. Five of Modest Mussorgsky’s pieces from his composition Pictures at an Exhibition are selected, each of which represents the feel of a certain part of Newark. VIEW PUBLICATION >
Dedicated to Professor of Economics Brendan O’Flaherty for helping me apply to Columbia as an undergraduate.
The following video lecture contains paintings and photos I compiled while walking in New York. VIEW PUBLICATION >
In this visual essay of drawings, paintings, and photos I explore my walks in Manhattan Chinatown. Chinatown is both static and dynamic: Static in its resilience against gentrification, dynamic in its cultural interplay between past and present, immigrant and American. VIEW PUBLICATION >
From left to right: clock tower at Newark Broad Street Station, backyard of my childhood home, imaginary factory scene at night
Growing up in struggling, inner city Newark, the gritty urban environment inspired me. Newark’s abandoned factories and rust belt industries are fuel for my imagination and inspiration for me to reflect on the passage of time through my art.
Space House is inspired from images of 1950s futurism and from architect Buckminster Fuller’s proposal for the ideal, modern home, the Dymaxion House. This circular model made of paper is three floors tall and fifteen inches in diameter. The house is painted silver, circular, and domed to evoke the streamlined images of 1950s American cars. VIEW PUBLICATION >
Excerpt from the Common App essay I wrote in 2015. This essay on my childhood experiences and struggles of growing up in the majority-black, inner city of Newark, NJ accompanied my successful undergraduate application to Columbia University. VIEW PUBLICATION >
A visual essay of artwork and photos from my experience of walking in the South Bronx.
Strolling in the Bronx, I am arrested by the inner-city grid that stretches mile after mile. Block after block, street after street, a never ending treadmill of bodegas, tenements, hair salons, C-TOWN supermarkets, strip malls, and laundries. In the treadmill of the city grid, I become an explorer lost wandering. I retrace my footsteps. VIEW PUBLICATION >
These drawings are my imaginary reflection on water, ships, and the machinery related to water. The stylized smoke, waves, and night sky are inspired by Japanese woodcuts and Art Deco architecture. VIEW PUBLICATION >
A visual essay featuring some of my watercolors, pastel images, and ink line drawings of the New Jersey Meadowlands. These images – both real and imagined – were inspired by industrial scenes I saw outside the train window when commuting between home in Newark and school in Hoboken, NJ. VIEW PUBLICATION >
4.5 inches wide (11cm)
8.5 inches long (22 cm)
20 inches tall (51 cm) VIEW PUBLICATION >
In the New York City of my imagination, dinosaurs emerge from the Museum of Natural History to prowl “the city that never sleeps.” They roam the streets engaging in dinosaur-like activities: scaring people, stealing from butcher shops, and terrorizing the skyline. For one night, the city belongs to them.
The following images are political style cartoons about nationalism, fascism, and communism. They are drawn in the pedantic and high-contrast style of propaganda images from the Soviet Union. The rigid use of geometry and symmetry represents the oppression these regimes stand for. VIEW PUBLICATION >
These drawings are my imaginary reflection on water, ships, and the machinery related to water. The stylized smoke, waves, and night sky are inspired by Japanese woodcuts and Art Deco architecture.
These ink-on-paper panoramas show cities I visited. The tiny details on windows, roofs, and streets were all created from memory when I was in middle school. VIEW PUBLICATION >
A selection of some of my drawings, paintings, and pastel work about the architecture of Manhattan VIEW PUBLICATION >
A visual essay of my ink drawings and pastel paintings. Visual reflections on de-industrialization, decay, and the destruction of the natural environment along the Passaic River that flows through Newark, NJ. VIEW PUBLICATION >
A selection of artwork, drawings, and paintings of imaginary worlds VIEW PUBLICATION >
When I gaze across the Hudson River from New Jersey, the soaring towers, glassy behemoths, and dark canyons of Manhattan instill me with awe. The broad expanse of the city juts out of the water with crenelated and jagged skyscrapers as if proclaiming: “I am here to stay. Come sun, wind, or water, I will remain. I will grow.” VIEW PUBLICATION >
