• This website includes dozens of videos, hundreds of essays, and thousands of drawings created over the past twenty years. Search to learn more about the history of buildings, places, prisons, Newark, New York City, and my PhD research on spatial inequality.

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Homeownership and the Racial Wealth Gap

Presented March 5, 2024 at the Newark Public Library

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The world’s largest concentration of wealth is in the New York City metropolitan area, yet the region contains many under-resourced cities, including Newark. What historical factors created this division between low-income Newark and its wealthy neighbors along lines of race, housing, income and social class?
The agents of change are more complex and nuanced than a simple narrative of redlining and white flight following the 1967 uprising. From discriminatory actions by the Federal Housing Administration and highways that carved through the urban fabric, to suburbs that pulled middle-class families away from Newark and factories that relocated outside of the city, contemporary poverty in Newark was more than a century in the making.
Drawing from the archives of the Newark Public Library, this presentation examines the range of challenges Newark faces and how the city overcomes. This is a Newark History Society program, co-sponsored by NJPAC and the Newark Public Library. Light refreshments will be served.
The presenter is Myles Zhang, urban historian and doctoral candidate at the University of Michigan in Ann Arbor.
This presentation will evolve into my dissertation entitled:
“An island of poverty in a vast ocean of material prosperity”:
Homeownerhip and the Racial Wealth Gap in Newark

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1959 Map of “Blighted” Areas by Newark Central Planning Board

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View event on NJPAC website

Reflections on my experience as PhD student, halfway through the program

As a third year student, I am more than halfway through the PhD program. So I thought now is as good a time as any to reflect.
In the same spirit of making public my undergraduate application to study at Columbia and my PhD application to study at Michigan, I am sharing the exam essays I wrote as a PhD student. When applying to Columbia, Oxford, Cambridge, and now Michigan, I struggled to find online example essays and statements that had worked for other applicants. In my case, I was fortunate to have academic parents to read my application statements and college professors to mentor me on how they saw admissions from the other side of the table. But I also realize that most applicants do not have these kinds of advantages in their social networks and must rely more on the internet for advice.
After 40 credits of coursework to be completed in no more than two years, I am expected to take a series of exams that qualify me to write the dissertation. When applying to PhD programs, I had no idea there were prelim exams or what the requirements were. Each prelim exam is different, unique to the student and my relationship with the faculty committee members on my dissertation. The exams consist of four things:

1. A Prelim Reading List: books assigned to me by committee members Robert Fishman, Ana Morcillo Pallarés, and Matthew Lassiter.
This list is the basis for their two questions.

2. A Minor Essay on Metropolitan History: written in 48 hours timed environment

3. A Major Essay on 20th-c. Urban History: written in 96 hours

4. A 90-minute exam with full committee to grill me on knowledge of reading list and topics not covered in the essays

I am posting them online, not as a “model” for what the ideal exam should look like and more as an inflection point and sample of the document that the members on your committee could expect you to write some day. In full disclosure, I am also sharing the draft of what will become my PhD proposal and the rough draft of three chapters completed. Maybe this reduces the cultural capital required to succeed at elite institutions. At the least, it is the kind of document I wish I could have had and known about when I was applying to PhD programs.

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PhD Dissertation Project (draft in progress)

Creating the Divided Metropolis:
How Newark came to be a poor city in a wealthy region

A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Architecture

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Project Brief

“Wherever American cities are going, Newark will get there first” Mayor Kenneth Gibson declared in 1970, as the first black mayor of any major city in what is now the American Northeast and the Rust Belt. The history of Newark’s urban decline is specific to Newark and unique to the details of this city. And yet, Newark’s story is national in its implications, and mirrored in hundreds of other American cities large and small that also experienced decline.
From the 1950s through 1970s, Newark embarked on one of the most extensive programs of state-funded urban renewal in the nation, less costly only than those of New York City (20 times Newark’s population); Chicago (eight times larger); Philadelphia (five times larger), and Boston (twice as large). Newark’s program was certainly among the most ambitious: to clear out the areas called slums, to construct highways, to build public housing, to stimulate the urban economy, and – in the end – to stop urban decline. And yet for all the billions spent and an estimated 70,000 out of Newark’s 400,000 people displaced, the program failed to reverse urban economic and population decline. What mixture of actors and institutions – city planners, politicians, realtors, developers, and banks – caused Newark’s program to fail?
This project describes how two national programs impacted Newark: urban renewal (a program that invested in keeping the city stable) and redlining (a program that deprived investment to make the city unstable). The two programs – both initiated by local, regional, and federal governments and designed to profit real estate developers – coexisted and undermined each other in a decade of flaws and contradictions. Redlining usually refers to the practice when banks choose to not invest in a certain neighborhood or city because of the race of who lives there. Redlining is racial and economic discrimination. More importantly, although rarely framed in such terms, redlining describes the practice more broadly of choosing not to invest in a place because it is a city and considered a less profitable investment. Banks, developers, realtors, businesses, department stores, and the fabric of social institutions vital for urban life all migrated from the city to the suburbs. These other institutions all redlined Newark independently of the real estate lobby. More than anti-black, redlining is anti-urban.
This project frames Newark’s story in national terms. Each chapter examines one form of redlining in Newark, and then frames this form of localized redlining in the national picture of urban abandonment. There are five frames: transportation, finance, housing, welfare, and employment. This range of actors across areas – public and private, local and national – did not collaborate in a conspiracy to deprive Newark and the American city of wealth. But their actions overlapped and mutually reinforced each other to leave the American city behind and ensure that attempts to save the city through state-funded urban renewal would fail. Through anti-urban redlining practices in each of these five areas – transportation, finance, housing, welfare, and employment – urban decline was the inevitable result. The history of all places is told through one place, and the history of one place is told through all places.

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Drafts of Chapters in Progress

Interstate Highways in Newark

Public Housing in Newark

How an infrastructure project ruined a racially integrated neighborhood
How public housing was designed to fail black families

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Committee Members

Robert Fishman, planning history
Ana Morcillo Pallarés, built environment
Matthew Lassiter, urban/suburban history

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See all my urban history publications about this place

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See all my artwork about urban decline and urban decay

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The Last Two Miles (draft of dissertation chapter)

Published to my website privately, under consideration for publication in Journal of Urban History

Weequahic before the highway, 1960
Same view after the highway, 2023

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How an infrastructure project contributed to today’s urban-suburban racial wealth gap

City planners designed Interstate 78 to destroy a stable and racially integrated neighborhood of 7,500 middle-class homeowners

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Weequahic in 1955 before the highway
Weequahic in 2023 after the highway

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It did not have to be this way…

In 1958, the New Jersey State Transportation Department had a choice: Build Interstate 78 on a route that displaced some 43 families in the suburb of Hillside or build it on a path that displaced some 7,800 Jewish and black families in one of Newark’s only racially integrated neighborhoods. Engineers and planners chose the urban highway path through the Jewish and black neighborhood over the less destructive suburban route. It is a story local to Newark, but mirrored hundreds of times across the landscape of other American cities. The story of Interstate 78 is a microcosm that reveals much about the politics and inequalities of city planning in a suburban and auto age.
Highways slice through Newark on all sides. They cut the city into parts and divide neighborhoods from each other. The millions of cars and trucks that pass through Newark annually emit soot particles that give Newark air the highest concentration in the state of nitrogen dioxide and carbon monoxide. To the east of Downtown is the six-lane Route 22 built in the 1930s that divides the city from the Passaic River and restricts public access to the waterfront. To the north of Downtown is the six-lane Interstate 280 built in the 1940s. To the west of Downtown is the eight-lane Garden State Parkway built in the 1950s that divides Newark from commuter suburbs to the west. To the south of Newark is the ten-lane Interstate 78 built in the 1960s that divides Newark from historically and once majority-white suburbs like Hillside.
Collectively, these four roads box in Newark from four sides. New Jersey’s largest concentration of poverty, where the median family income is a mere $38,000, is separated from the rest of the state by a highway moat up to 400 feet wide in parts of Interstate 78. By contrast, the median family income in the Essex County suburbs that surround Newark is over $100,000. Pre-pandemic some 200,000 residents of these commuter suburbs drove into Newark on these highways, parked in Newark, made salaries on average above $50,000, and drove home at the end of each workday, leaving behind some 300 acres of surface parking lots.
It did not have to be this way.

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Based on archival records, planning documents from the Newark Public Library, and racial redlining records from the federal government, read the full report on how the Weequahic community fought and failed to block construction of Interstate 78.  →

9,000 words, 21 pages

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Belmont Avenue in 1962
Identical camera angle in 2023

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Two proposals for the path of Interstate 78
A destructive proposal from state planners vs. an alternative vision from Newark residents

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Proposal from State and City Planners Proposal from Weequahic Residents
Length in miles 4.52 About 4.7
People displaced 7,818 Fewer than 500
Demographics 10% black Fewer than 1% black
Homes demolished 2,247 homes 40 homes

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Johnson Avenue in 1961
Identical camera angle in 2023

 

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1. Further viewing and interactive mapping
Photo comparisons of Newark’s Weequahic neighborhood before vs. after highway construction, in 1962 vs. today
Related publication from my website Newark Changing
2. Further Reading
For a near parallel story, see Robert Caro’s chapter on how Robert Moses drove the Cross Bronx Expressway through the Jewish neighborhood of East Tremont. In a story both local and national, Moses could have routed the highway through an adjacent park on path that would have displaced only a few hundred people. He chose the path through East Tremont, resulting in what Caro claims was the destruction of 2,000 families from a stable working class tenement neighborhood. Read more at:
Robert Caro, “Chapter 37: One Mile,” in The Power Broker (New York: Vintage Books, 1974).
3. Acknowledgements
I am grateful to my parents for their unwavering support of my studies, as well as my dissertation adviser Robert Fishman. Newark still struggles with the legacies of redlining and ongoing air pollution from its highways, port, and airport. In this fight against environmental racism, the activists at the South Ward Environmental Alliance and Ironbound Community Corporation are key actors. This history essay is written for them.

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Jeliff Avenue in 1962
Identical camera angle in 2023

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Hillside Avenue in 1962
Identical camera angle in 2023

 

Built on a Billion-Dollar Bed of Corporate Tax Breaks

What kinds of tax breaks are we giving to redevelop Downtown Newark?
Who is getting them?

An investigative report on public funds for private profit.

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“Free enterprise is a term that refers, in practice, to a system of public subsidy and private profit, with massive government intervention in the economy to maintain a welfare state for the rich.”
– Noam Chomsky

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Contents

[1] Who owns the land around Mulberry Commons?

[2] If past predicts future, what kind of past tax breaks have we given?

[3] The problem is not tax breaks. The problem is: Who gets them?

[4] How can we ensure equitable economic development in Newark?
Five policy recommendations.

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Artist’s rendering of Newark Penn Station expansion

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Introduction: A Case Study in Edison Parking

The City of Newark borrowed $110 million to pay for a pedestrian bridge over Route 21. This new link between Mulberry Commons and Penn Station will allow travelers, event goers, and sports fans to walk directly from the trains to the games at the arena. Newark City Hall and the media are describing this as Newark’s equivalent and response to New York City’s High Line. This project follows on the already $10 million spent on building Mulberry Commons.
As part of misguided car-centered 20th-century urban planning, thousands of highways were built in our nation through low-income communities of color, to divide the less privileged in hundreds of places like Newark. Through the tools of public investment in public space, now is a moment to make wrong historical injustices like Route 21, Route 22, Interstate 78, and Interstate 280. Now is a historic opportunity for the urban form as tool of reparations.
However, what parts of the public – divided across lines of race, income, and home address – will benefit the most from this project? Will the benefits of this investment disproportionately go to a few people or institutions, such as Prudential Center patrons and Edison Parking tenants?

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Does the American city need a new “public entrepreneur” like Robert Moses?

Performing winter 2022 at The Shed in Hudson Yards is Straight Line Crazy, a two-act play about Robert Moses. He was New York City’s leading planner from the 1930s through 1960s, responsible for 35 highways, 12 bridges, 658 playgrounds and over 2 million acres of parks. Since the publication of Robert Moses’s 1974 biography The Power Broker by Robert Caro, Moses has been variously remembered for the thousands of projects he completed, admired for those public parks that brought communities together, hated for his proposal to carve an expressway through Lower Manhattan, and despised for those infrastructure projects that divided non-White communities.
Act one builds up Robert Moses as the Oxford-Columbia educated planner but with slight populist tendencies in his construction of Jones Beach and hundreds of playgrounds. This script for public consumption is of course incomplete without the mandatory repetition – originating from The Power Broker – that bridges over the access roads to public beaches were too short for buses of Black people to pass under.
Act two takes down Moses by trotting through the usual history with mentions of the 1960s Cross Bronx Expressway. Out of 250,000 people displaced citywide for “slum clearance” and “urban renewal” projects, that highway alone displaced some 40,000 people – mostly tenements of working-class immigrants. In the final scene, a young Black architect employed in Moses’s office repeats James Baldwin’s 1963 claim that “urban renewal means … Negro removal” and confronts Moses saying that her family and everyone she knows was displaced for the Cross Bronx.
That a city planner should be the subject of an off-Broadway play speaks to the enduring power of Robert Moses in the public imagination. Robert Moses succeeded in a profession now weighed down by paperwork and bureaucracy. In his complete vision of a city and ability to execute projects in face of the odds, Robert Moses represents the total power many planners and architects today secretly – or not so secretly – wished they had. Like him or hate him, we cannot seem to forget him.

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We cannot design our way out of this crisis.

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Design is supposed to solve the problems of pandemic and climate crisis. This is flawed thinking. The apostles of architecture, technology, and design confront crisis with what they call “design thinking.” They claim they can design our world out of crisis through new technologies: sustainable product packaging, vegetable-based meat substitutes, paper bags instead of plastic, wind and solar instead of coal and oil. Meanwhile, the global super rich build space ships that will allow them to one day escape the mess they made of our planet. “Design thinking” becomes a way of escaping this world entirely.
The techno-optimism of “design thinking” fails to recognize that “design thinking” is itself a poison. The problem is not with design per se. Rather, the problem is with the corporate power structures in which “design thinking” operates. They promise electric cars will replace fossil-fueled cars that pollute. They promise New-Orleans-style levees and elevated houses built on stilts will reduce property damage in flood zones. They promise improved artificial intelligence will stop the virus of online hate speech. They promise we are just one more consumer purchase away from happiness. But this techno-optimism does not address the deeper questions: Why are we not designing a society in which people do not need cars? Why are we building in flood zones in the first place? Why must the profit model of social media networks rely on users spending as must time as possible on their platforms, even when boosting engagement results in exposing users to hate speech? The limited palette of “design thinking” overlooks systemic solutions that require fundamental, but overdue, lifestyle changes.

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A Different Kind of Radiant City: Bucharest

Comparing Le Corbusier’s plans for Paris with Ceaușescu’s plans for Bucharest

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Abstract: Comparing Le Corbusier’s unrealized plans for Paris and dictator Nicolae Ceaușescu’s completed plans for the Romanian capital Bucharest reveals similarities in their urban forms. Analysis of three features in both cities – their nineteenth-century urban forms, the integration of twentieth-century plans into the existing urban forms, and the political symbolism of each plan – reveals the two places as reflections of each other. The comparison matters because it establishes an unconscious aesthetic link between the progressive (almost utopian) urban designs of an architect like Le Corbusier and the repressive (almost dystopian) urban designs of a dictator like Ceaușescu.

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Utopia and totalitarianism are both engaged in a mirroring game, tirelessly sending the same image back and forth as if utopia were nothing more than the premonition of totalitarianism and totalitarianism the tragic execution of the utopian dream. Only the distance that separates a dream from its realization seems to stand between the two.

– Frédéric Rouvillois
Utopia: The Search for the Ideal Society in the Western World [1]

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Historical Reconstruction of Ford Model T Assembly Line

As featured on Kottke.org
This digital model and film show, for the first time, the entire Model T being assembled from start to finish in a single time-lapse shot of the Ford factory in Highland Park, Michigan. Numerous photos were taken and some films were made in the 1910s and 1920s, but no film from the time tracks the entire car’s assembly from start to finish. There were many types of Model Ts produced, but the specific car shown here is the 1915 Model T Runabout. Watch the film and see as the various car components are hoisted over and bolted into place. Or walk across the factory floor in the virtual reality computer model.

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The film’s audio replicates the sound of Model T production. The accompanying music at start and end is from the 1936 film Modern Times, where comedian Charlie Chaplin parodies Ford’s assembly line production methods.

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Explore Model T assembly in virtual reality.
Give thirty seconds for browser to load. Link opens in new window.

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Henry Ford did not invent the car, nor he did invent the assembly line to produce the car. For years before Ford, cars were being built in small numbers at local workshops. For centuries before Ford, assembly line production was being used to make all manner of goods like pins, fabrics, and steel. At the same time as Ford, others were making cars and building assembly lines.
Ford was not the first, but his car and moving assembly line were certainly the most successful and memorable. After creating his version of the automobile in 1896, Ford moved workshops first to Mack Avenue and later to Piquette Avenue in Detroit. These first two factories were small-scale structures for limited car production. Only in 1913 at Ford’s third factory at Highland Park did mass-production begin on a truly large scale. As shown in this film, here Ford applied assembly line methods throughout the factory to all aspects of car production.

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Final Stage of Model T Assembly in Highland Park c.1915, David Kimble’s illustration for National Geographic

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Between when the first Model T rolled off the assembly line in 1913 and when the fifteen millionth rolled off in 1927, the car’s appearance did not change significantly. The car chassis, motor, and color-scheme in 1927 were almost identical to 1913. Despite variations in the number of seats and exterior of car, the motor and chassis beneath were consistent and unchanging over time. Henry Ford liked it that way to bring down costs and to produce the greatest variety of car types with as few variations as possible to the car’s internal structure.
However, although Ford resisted changes to his car design, he was always redesigning the factory floor and assembly line to produce the greatest number of cars with the least amount of human labor. In this same period from 1913 to 1927, the Highland Park factory was constantly redesigned and expanded. Few records survive of all changes to the factory. However, the 1915 book Ford Methods and the Ford Shops includes detailed plans and photos of the factory at one point in time. Ford was still tinkering with the assembly line, as Model T production had begun just over a year before this book was printed. Within a few months of these photos, assembly line methods had improved once again as Ford redesigned the factory floor shown in this film. Rather than documenting Ford production for all time, this film captures Ford production the way it looked in the months it started.

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Assembly line flowchart of River Rouge c.1941, showing Ford’s production methods applied to the design of an entire complex. The ideas in embryo at Highland Park become fully visible at River Rouge.

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After Ford stopped producing Model Ts in 1927, newer models started production at the new and larger factory at River Rouge, where Ford makes cars to this day. The Highland Park factory switched to producing other goods like tractors and later tanks for WWII. Within a few years, production methods had so quickly improved under Ford that Highland Park became too small and obsolete. The factory was largely demolished, and with its demolition the initial appearance of Ford’s first and greatest invention was lost for all time: the moving assembly line.
Some of the factory buildings still stand, and the specific part of the factory shown in this film still exists. But the buildings were all cleared of their original machinery, and the most impressive part of Ford’s invention was not the factory itself but instead the equipment and processes within that factory that are no longer visible. The buildings themselves were simply functional warehouses designed with large open spaces to allow the easy movement of machinery.
The entire complex covered many acres, and the other factories that supplied the Highland Park factory with materials and components created a web of trade that spanned the globe. Instead of filming the entire process, this film focuses on the final and most important stage of production where finished parts from all over the world and factory complex came together for final testing and assembly.

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Sources

Main reference text: Fay Leone Faurote and Horace Lucian Arnold. Ford Methods and the Ford Shops. New York, Engineering Magazine Company: 1915. See esp. Chapter V on “Chassis-Assembling Lines” that includes factory floor plan and photos from pages 131-57. Also see pages 142-150 that describe the 45 steps required for chassis assembly. Link.
Main reference photo: David Kimble. “Exploring the Model T Factory.” Motor1.com. September 1, 2017. Link. Kimble’s image originally published in June 1987 National Geographic centerfold.
Animation opening image: Postcard of Highland Park in 1917. Link.
Animation opening music: Factory Scene from Modern Times, directed by Charlie Chaplin in 1936. Link.
Model T shown in film can be downloaded as a computer model at this link.

Bulldozer Urbanism

As featured in:

1. Preservation New Jersey: Ten Most Endangered Historic Places  May 18, 2021
2. After Warren Street School Demolished, James Street Named ‘Most Endangered’  May 18
3. Newark Historic District Designated as Endangered  May 18, 2021
4. James Street Community Rushes to Stall NJIT’s Demolition of Historic School  May 6, 2021
5. Nothing Lasts Forever, Not even at NJIT   February 1, 2021
6. SHPO Delays NJIT’s Plan to Raze 4 Historic Buildings    January 8, 2021
7. NJIT’s Plans to Demolish Buildings in Historic District Temporarily Derailed   January 7, 2021
8. Old Jail Could Inspire Youth to Stay Out of Prison – But Only If It Survives   July 4, 2020
9. NJIT’s Plans to Modernize Its Campus Could Cost Newark Some History   March 12, 2020

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James Street Commons demolitions completed and proposed as of April 2021

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Note: Visiting NJIT’s architecture school at age six and seeing students working there was what initially inspired my desire to study architecture. NJIT is an asset to Newark, and the school deserves the quality of campus architecture to match. I wrote and circulated this essay about NJIT’s under-performing campus design to members of NJIT and the Newark community. I am sharing it online, too, in the hope that future leaders of NJIT will collaborate with the community to create campus architecture that is culturally and historically sensitive to Newark.

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A Pedestrian’s Observations

Experiencing NJIT’s campus from the street

In publicity materials and in meetings with Newark residents and historians, the New Jersey Institute of Technology emphasizes the quality of its campus architecture and its track record of historic preservation. The school highlights its Central King Building (formerly Central High School) and Eberhardt Hall (formerly Newark Orphan Asylum) as trophies of historic preservation.
However, beyond its fortified campus carved out during the 1960s era of “urban renewal,” the university is now escalating its demolitions in the neighboring James Street Commons Historic District. Listed since 1978 on the National Register of Historic Places, this neighborhood is the city’s first historic district and contains some of Newark’s most significant historic assets. The spending of millions of dollars on building demolitions is odd when NJIT faced a 35 million dollar budget deficit in the first half of 2021,[1] and when other Newark institutions and developers are following an opposite path of historic preservation.
As NJIT expands into the James Street Commons Historic District, there is concern that new construction will not improve the built environment. For instance, NJIT’s proposal for 240 MLK included few to no windows at pedestrian eye level. The entrance to the parking garage and trash collection was from the side of the building that faced toward the residential neighborhood. Several other structures in the neighborhood are also at risk or have already been demolished by NJIT, such as Mueller’s Florist, which was a former corset and tin toy factory built in the 1880s to 1890s. Similarly, NJIT acquired the c.1890 brownstone at 317 MLK for ~$450,000 in livable condition. In following weeks and months before NJIT received demolition approvals, windows were left open and removed, thereby accelerating decay and water damage. The current demolitions follow a longer pattern among hundreds of other buildings demolished in my neighborhood. This would all be okay if only there was better quality architecture to replace what is being lost.
I write this essay as a series of architecture observations followed by recommendations. Firstly, I provide examples of how NJIT’s current campus design is detrimental to neighborhood street life. Secondly, I document the neighborhood’s appearance before and after NJIT’s interventions through my photo comparisons of past and present. Thirdly, I provide examples of more sensitive models for alternative neighborhood redevelopment.

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Completed in 2017, NJIT’s athletic facility is the newest building on campus.
The pedestrian view along the sidewalk has no windows.

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Demolition of the 140-year-old Bowers corset factory in progress (aka Mueller’s)

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Map of NJIT campus. Buildings that face toward the street with no windows at or near eye level are indicated with red lines. Surface parking lots and parking structures for commuter students and faculty are indicated with red squares.

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